Style File № 30

How to dress like Patrick Bateman from American Psycho

Wide-shouldered 1980s tailoring, a pale contrast-collar shirt, a bold tie and glasses worn indoors for no reason.

Structured Shoulder SuitContrast Collar ShirtSilk Power TieBracesPleated Trouser

1987, Wall Street 9 pieces 2 looks

See the pieces
№ 30 American Psycho Power dressing, at the point it stopped meaning anything. PatrickBateman A personality made of tailoring. 1987, Wall Street 9 pieces Structured Shoulder Suit · Contrast Collar Shirt · Silk Power Tie

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The Wardrobe, Decoded

Power dressing, at the point it stopped meaning anything.

Isis Mussenden designed the film, and the wardrobe is a catalogue of late-eighties Wall Street signifiers — structured suits, pale shirts, loud silk ties, braces — assembled with a precision that is itself the joke. Bateman's clothes are the most detailed thing about him, and there is nothing underneath them.

Why we can't let it go

Patrick Bateman is the only wardrobe on this site that is meant to be empty. Every garment is a status marker — the suit, the tie, the watch, the card — and the film's whole argument is that the markers add up to nobody.

Which is why it still resonates. This is a wardrobe about performing competence, and the pieces are genuinely good: sharp shoulder, high-waisted trouser, contrast collar, a tie doing all the colour.

Worn today it reads as extremely deliberate rather than corporate, mostly because nobody dresses like this for an actual office any more. Which arguably makes it more effective now than it was in 1987.

01

The Office

A meeting about a business card

Wide shoulder, high waist, and a tie doing all the talking.

01 Structured Shoulder Suit Padded shoulder, roomy chest, high-waisted pleated trouser. A slim modern suit is a different film. Find it
02 Contrast Collar Shirt Coloured or striped body, white collar and cuffs. The fastest signal in the wardrobe. Find it
03 Silk Power Tie Bold, patterned, large knot. Everything else stays pale so this can be loud. Find it
04 Braces Worn instead of a belt, clipped or buttoned. A period detail that costs almost nothing. Find it
05 Metal Watch, Leather Strap Simple round face. Precision rather than flash. Find it
Not picked yet

We haven't chosen the exact pieces for this look — but every garment above is described precisely enough to find. Open any one and we'll go and look for it.

Start with the structured shoulder suit
02

After Hours

The apartment, the raincoat, the music lecture

The same precision, minus the jacket — and one very deliberate outer layer.

01 Pale Dress Shirt White or pale blue, worn with braces and no jacket. Sleeves never rolled. Find it
02 Clear Frame Glasses Worn indoors, at night, for no medical reason whatsoever. Find it
03 Long Belted Raincoat Pale, single-breasted, belted. Practical outerwear used theatrically. Find it
04 Plain Leather Oxford Black, polished, unremarkable. Nothing here is allowed to be scuffed. Find it
Not picked yet

We haven't chosen the exact pieces for this look — but every garment above is described precisely enough to find. Open any one and we'll go and look for it.

Start with the pale dress shirt

How to actually wear the Patrick Bateman look

The eighties silhouette is the point: a wide, structured shoulder and a high-waisted, pleated trouser with a full leg. A modern slim suit is a completely different look. Contrast collar is the single fastest signal — a coloured or striped shirt body with a white collar and white cuffs. It costs nothing and it does more than the suit. The tie carries the colour, in silk, with a large knot. Everything else stays pale. And the details matter more than the labels: braces rather than a belt, a plain white pocket square, a simple metal watch on a leather strap. It's a wardrobe about precision, so anything sloppy undoes it.